Theodor Adorno"s philosophy of modern music evaluation and commentary
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Theodor Adorno"s philosophy of modern music evaluation and commentary by Anne G. Mitchell Culver

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Published by s.n.] in [Boulder .
Written in English

Subjects:

  • Adorno, Theodor W., -- 1903-1969.,
  • Music -- History and criticism -- 20th century

Book details:

Edition Notes

Statementby Anne G. Mitchell Culver.
The Physical Object
Paginationxvi, 200 leaves.
Number of Pages200
ID Numbers
Open LibraryOL19248597M

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Theodor W. Adorno is the progenitor of critical theory, a central figure in aesthetics, and the century's foremost philosopher of music. He was born and educated in Frankfurt, Germany. After completing his Ph.D. in philosophy, he went to Vienna, where he studied composition with Alban Berg. Uncommonly good collectible and rare books from uncommonly good booksellers. Find Philosophy Of Modern Music by Adorno, Theodor W at Biblio. Uncommonly good collectible and rare books from uncommonly good booksellers. COVID Update. Novem Biblio is .   Philosophy of Modern Music by Theodor W. Adorno, , available at Book Depository with free delivery worldwide/5(). In this classic work of music theory Adorno critiques two major composers, Arnold Schoenberg and Igor Stravinsky, who he presents as dialectically opposed to one another in terms of their musical styles, techniques and directions. Adorno's readings, especially of Schoenberg, continue to cause controversy and disagreement among musicians, music lovers and philosophers today. As always with.

In this classic work, Adorno revolutionized music theory through an analysis of two composers he saw as polar opposites, Arnold Schoenberg and Igor Stravinsky. Philosophy of Modern Music presents a profound study of key musical works of the twentieth century. But it is more than this because, as always with Adorno, a wide range of social and cultural questions are brought to bear on the.   THE NEW TRANSLATION AND REPUBLICATION of Theodor Adorno’s Philosophy of New Music is a further clarification of modernism, necessitated by the latest discontents with postmodernism’s vulgarization, which keeps it at a fictitious distance. Perhaps as his remedy for the most fragmented part of the whole of the arts, namely music, translator Robert Hullot-Kentor has in recent . A publishing event—a revealing new translation of Theodor Adorno's manifesto of musical radicalism? In Theodor W. Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing Philosophy of New ely polemical from its first publication, every aspect of this wor/5(15). In many ways, "Philosophy of Modern Music" is a product of Adorno's exile in the United States, where he wrote the book while National Socialism fell apart in his European homeland. About the Author Theodor W. Adorno () was a founder and arguably the foremost thinker of the Frankfurt s: 3.

"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. Translated, edited, and with an introduction by Robert Hullot-Kentor Intensely polemical from its first publication in , every aspect of Philosophy of New Music was met with extreme reactions. Marking a turning point in Theodor Adorno's musicological philosophy, this book became highly regarded and widely read among musicians, scholars, and philosophers. All Books Children's Books School Books History Fiction Travel & Holiday Arts & Photography Mystery & Suspense Business & Investing Books › Arts & Photography › Music Reviews: 3. As to content, Philosophy of New Music is made up of two critiques, originally written at different times, but published jointly, representing what Adorno viewed as the most figure-driven.